Simon Penny



Affiliation(s):


  • Carnegie Mellon University

Department:


  • Department of Art, College of Fine Arts, and Art and Robotics

Location:


  • Pittsburgh, Pennsylvania, US

Role(s):



Art Works:



Writings and Presentations:


  • Title: Old Ideas in New Boxes
    Writing Type: Essay
    Author(s):
    Exhibition: SIGGRAPH 1993: Machine Culture
    Abstract Summary:

    When we look at ‘cutting edge’ technologies, it is the radical newness that we are encouraged to see. This radical newness helps us forget that technologies arise out of past culture. The generation raised on Buck Rogers grew up to make the space race, and the generation raised on Star Trek are making the Holodeck. In order to understand the historical significance of 3D imaging, we must place it as part of the historical development of the automation of perspective. Lev Manovich has followed this line of study in his essay, as do Paul Virilio and Harun Farocki elsewhere. According to this line of reasoning, we must look at computer graphics, interactivity, and virtual reality as moments in the larger cultural progression of the automation of visual systems.

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