Digital Image-Digital Photography

 

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Abstract/Summary/Introduction:

  • The SIGGRAPH 1990 Art Show Committee decided to sponsor an exhibition of works that concentrate on the interaction of photographic imagery and computer technology [1]. This exhibition came about because of one interesting aspect of computer-mediated artworks that has been developing over the last several years. As the curator of this exhibition, I chose to put together a group of works that investigate not only the technical combination of these media but also the conceptual basis for choosing such tools of investigation, collaboration and production.

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References:
    1. “Digital Image-Digital Photography,” 26 June through 3 September 1990, J. Erik Jonsson Central Library Gallery, Dallas, TX.
    2. E. Parada, quote from the artwork Define/Defy The Frame, an ‘unfolding exhibition,’ published by the University Art Museum, State University of New York at Binghamton, 1990.
    3. T. Druckery, “L’Amour Faux,” Digital Photography, (1988) p. 9.
    4. Druckery [3].
    5. D. Cox, “The Tao of Postmodernism: Computer Art, Scientific Visualization and Other Paradoxes,” Leonardo Supplemental Issues Computer Art in Context (1989) p. 11.