Jean-Pierre Hébert: In Visible Cities




 
  • ©2012-15, Jean-Pierre Hébert, In Visible Cities
  • ©2012-15, Jean-Pierre Hébert, In Visible Cities
  • ©2012-15, Jean-Pierre Hébert, In Visible Cities
  • ©2012-15, Jean-Pierre Hébert, In Visible Cities

Artist(s):


Title:


In Visible Cities

Exhibition:


DAC Online Exhibition 2015: Altered Books - Digital Interventions

Creation Year:


2012-15

Category:


Artist Book

Artist Statement:


Statement: This book is inspired and structured by Invisible Cities of Italo Calvino (translated by William Weaver), the mesostics of John Cage, the galactic tides of Alar and Juri Toomre, the typography of Iliazd. I wrote software to let me read through Italo Calvino’s English translation of his original Le Citta Invisibili by William Weaver in order to create a series of mesostic poems. This process only kept a small fraction of the original text. I illustrated the poems, using my own software.

Overview of the software: First, the book title as mesostic line filters and selects proper city names as wing words. Then city name mesostics assemble each poem from snippets chosen in their order of appearance within each city chapter. Last, fractal timelines animate worlds of lines, colors, and symbols implied by each city character and textual properties. Overall, generative poetry composed by ideas translated into code, with deliberate rule breaking through chance or bugs, and digital humor.

Media: The poetry is printed with metal types on the letterpress, and the illustrations are printed on the inkjet. The altered original book is a digital intervention completed by traditional, analog processes. Seventy-three copies were designed using Gil Sans Light composed by Michael and Winifred Bixler and then Sandra Lidell Reese and Harry Reese used letterpress printing to print the books. Drawings are by Jean-Pierre Hebert and printed on Niyodo Natural with an Epson Stylus Pro 4800. Handmade paper cover and binding by Turkey Press.