Cynthia Beth Rubin, Susanne Menden-Deuer, Elizabeth Harvey, Jerry Fishenden: Traces: Plankton on the Move




 
  • ©2012, Cynthia Beth Rubin, Susanne Menden-Deuer, Elizabeth Harvey, and Jerry Fishenden

  • ©2012, Cynthia Beth Rubin, Susanne Menden-Deuer, Elizabeth Harvey, and Jerry Fishenden

  • ©2012, Cynthia Beth Rubin, Susanne Menden-Deuer, Elizabeth Harvey, and Jerry Fishenden

Artist(s):


Title:


    Traces: Plankton on the Move

Exhibition:


Creation Year:


    2012

Category:



Artist Statement:


    Traces is a collaboration between the artist Cynthia Beth Rubin and the Menden-Deuer Lab at the Graduate School of Oceanography, University of Rhode Island, which studies plankton, the microscopic marine creatures that comprise the most basic piece of our food chain. The original micro-captures are of specimens in small batches of water, devoid of any association with their native environment, and filmed in fl.at grays. In Rubin’s transformation of the raw video, she imagines the plankton moving in water that is infinitely deep, making these mystical creatures leap beyond the confines of the microscopic world into an enticing world of color and movement that begs us to relate to them as part of nature. She does not just reveal the generally unseen life in our ocean waters; she makes it accessible.

    The series grew from a practical concern. Researcher Elizabeth Harvey captured the image of a magical moment: an encounter between a predator, Favella, and its prey, Heterosigma akashiwo. The color balance of that image needed an artist’s touch to come alive. From this scientifically accurate work, Rubin moved to bringing the same sense of imagination and wonder to the world of microscopic plankton that she has long explored in the world of imagined human memories. What does it take to make the depiction of a space feel real, inhabitable, and even familiar? How can we step out of our own world into the activity of the ocean?

    Technology makes this possible. From the digital capture of microscopic plankton to the ability to put these images into analytical and modifying video software, technology makes the intertwining of visual sources an avenue for exploration. At the outset, the artist spent weeks understanding the forms of the plankton, learning to relate to them, and generating variations of the video. The final colored version was selected in discussion with the scientists, balancing scientific and artistic focus. The sound score by Jerry Fishenden was composed specially to add classic drama to the video.


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