James Faure Walker
Most Recent Affiliation:
- University of the Arts and Kingston University
Location:
- London, United Kingdom
Website:
Bio:
James Faure Walker (b. 1948, London) studied at St Martins (1966-70) and the RCA (1970-72). He has been integrating computer graphics in his painting since 1988. He co-founded Artscribe magazine in 1976, and edited it for eight years. Recent one-person exhibitions include Galerie Wolf Lieser (2003); Galerie der Gegenwart, Wiesbaden (2000, 2001). Group exhibitions include Jerwood Drawing Prize (2010); ‘Digital Pioneers’ at the Victoria and Albert Museum (2009); ‘Imaging by Numbers’, Block Museum, Illinois, USA (2008); Siggraph, USA (8 times 1995 -2007); John Moores, Liverpool (1982, 2002); Bloomberg Space (2005); DAM Gallery, Berlin (2003, 2005, 2009). In 1998 he won the ‘Golden Plotter’ at Computerkunst, Gladbeck, Germany. He was one of five English artists commissioned to produce a print for the 2010 Fine Art South African World Cup. His ‘Painting the Digital River: How an Artist Learned to Love the Computer’, (2006, Prentice Hall, USA), won a New England Book Show Award. He is Reader in Painting and the Computer at Camberwell, University of the Arts, London.
Art Works:
-
A Pony in Clerkenwell
Categories: [2D & Wall-Hung]
[SIGGRAPH 1995] -
Die Formes: Flight
Categories: [2D & Wall-Hung]
[SIGGRAPH 1995] -
Undecided 2: Market Research in the Narr...
Categories: [2D & Wall-Hung]
[SIGGRAPH 1998] -
Dark Filament
Categories: [2D & Wall-Hung]
[SIGGRAPH 2007,SIGGRAPH Artworks in the Victoria & Albert Museum] -
The Song of the Revolving Drawing
Categories: [2D & Wall-Hung]
[SIGGRAPH 2004] -
Frog, Greenwood Road
Categories: [2D & Wall-Hung]
[SIGGRAPH 2004] -
Studio Chairs
Categories: [2D & Wall-Hung]
[SIGGRAPH 2003] -
Drawn Trees
Categories: [2D & Wall-Hung]
[SIGGRAPH 2003] -
Pigeons, Kyoto
Categories: [2D & Wall-Hung]
[SIGGRAPH 2003] -
Figures in a Landscape
Categories: [2D & Wall-Hung]
[SIGGRAPH 2003] -
F-G and the Iron Clocks of Film
Categories: [2D & Wall-Hung]
[SIGGRAPH 2001] -
Global Coffee
Categories: [2D & Wall-Hung]
[SIGGRAPH 2001] -
Colour and Drawing: From a Garden Table
Categories: [2D & Wall-Hung]
[SIGGRAPH 1999] -
Blue Bowls
Categories: [2D & Wall-Hung]
[SIGGRAPH 2002,SIGGRAPH Artworks in the Victoria & Albert Museum] -
From a Log Cabin
Categories: [2D & Wall-Hung]
[DAC Online Exhibition 2011] -
Villa Dora
Categories: [2D & Wall-Hung]
[DAC Online Exhibition 2011] -
Untitled
Categories: [2D & Wall-Hung]
[DAC Online Exhibition 2011]
Writings and Presentations:
-
Title:
Teaching Cyber Art, Or How A Painter Copes With Computers In London
Writing Type: Paper
Author(s):
Exhibition: SIGGRAPH 1995: Digital Gallery
Abstract Summary:Walking back from my painting studio on a summer evening, looking up at the electronic flicker of TVs, I do wonder … how can a painting do anything in a living room? Does the future lie in the hands of the cyber artist? Hold on. I am a painter, and I use computers, and that combination makes a lot of sense, though nowhere in England can you study – or teach – the two together. Computer work is a different kind of art because it’s cyber-this or cyber-that? Oh. Even when it’s flavor-free? At ISEA 5 in Helsinki I wandered out of the interactive show and got absorbed in the early 20th Century Finnish painting next door, self portraits in log cabins, a solitary fir tree losing its snow. Spring. I resolve to give my work more of a lived-in texture, make it connect with what I saw, give it a temperature, make it more reflective.
[Download PDF]
Title: Painting in a Digital World: I Told You So
Writing Type: Essay
Author(s):
Exhibition: SIGGRAPH 2006: Intersections
Abstract Summary:Over the past 10 years, the proportion of painters who use computers in their work has been rising, and rising dramatically. They may not all be expert users, and they probably know next to nothing about digital art or its origins, and nothing at all about its pioneer artists.
[Download PDF]
They will not have heard of SIGGRAPH. They read Frieze. They probably outnumber hardcore digital artists by a factor of 50 to one. So if we are to speak of the way things are going in “digital art,” they are part of the picture.
Role(s):